美食無(wú)國(guó)界，日本懷石料理是無(wú)數(shù)人的心頭好。今天宏鈺堂小編為大家推薦的FYN日料餐廳坐落于開(kāi)普敦市中心教堂廣場(chǎng)和議會(huì)街拐角處的歷史街區(qū)位置，是兩座獨(dú)立的傳統(tǒng)建筑(建于1898年)翻新后的組合。這家懷石料理餐廳除在Table Mountain上有擁有廣闊的視野(南非的平頂山，可俯瞰開(kāi)普敦市和桌灣)外，F(xiàn)YN內(nèi)部餐廳裝修設(shè)計(jì)本身就值得驚嘆。Christoph Karl的一個(gè)巨大的木珠裝置仿佛失重地懸浮在廚房柜臺(tái)上方，用餐者在這里進(jìn)行互動(dòng)。

 Food has no national boundaries, and the Japanese Huaishi cuisine is a good idea for countless people. Today, the Fyn Japanese Restaurant recommended by Hong Yutang is located in the historic block at the corner of church square and parliament street in downtown Cape Town. It is a renovated combination of two independent traditional buildings (built in 1898). Apart from the wide view of Table Mountain (South Africa's Pingdingshan overlooking Cape Town and Table Bay), the interior design of Fyn restaurant is amazing. Christoph Karl's giant wooden bead device seems to be floating weightlessly above the kitchen counter, where diners interact.

黑色皮質(zhì)沙發(fā)后的背景放置了珠算元素，黑鏡則反射出前方的木珠藝術(shù)裝置。著名廚師Peter Tempelhoff給與設(shè)計(jì)師提供功能需求設(shè)想，餐廳設(shè)計(jì)師利于合理布置打造出一個(gè)具有沉浸式體驗(yàn)感的多維視覺(jué)空間。

 Behind the black leather sofa, abacus elements are placed in the background, while the black mirror reflects the wooden bead art device in front. Peter tempelhoff, a famous chef, provides the designer with functional requirements. The restaurant designer is in favor of reasonable layout to create a multi-dimensional visual space with immersive experience.

瓦片式立體瓷磚、大理石臺(tái)面、木飾面、鑿毛面石材，在不同的燈光設(shè)計(jì)下反射出不同的黑色肌理質(zhì)感。金色線條的勾勒及定制的金屬臺(tái)燈是除木珠裝置外在這黑色背景下的另一種點(diǎn)綴。

Tile type three-dimensional tiles, marble countertops, wood veneers, chiseled surface stones reflect different black texture under different lighting designs. The outline of the golden line and the customized metal desk lamp are another ornament under the black background besides the wooden bead device.